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[Game 21] Through The Train
The marbles from each group are inserted into the pupils in each door. The eyes blink, unnervingly, then seal shut. All at once, the lights dim down in each compartment and fade back to quiet darkness . . . though you still see the occasional spark of magic along the windows and edges of the train.
You still have no electricity, and your magic is still dampered.
You can, at least, proceed through, either back or forward along the train. The compartments are arranged in approximately this order:
[#1 - ??? - Open] - [#2 - Sariel's Group] - [#3 - Elluka's Group] - [#4 - Maon's Group] - [#5 - ??? - Open] - [#6 - ???] - [# 7???]
You still have no electricity, and your magic is still dampered.
You can, at least, proceed through, either back or forward along the train. The compartments are arranged in approximately this order:
[Regrouping]
In compartment #2, you'll find Sariel crouched over an unconscious blond-haired human, another unfamiliar woman sitting sitting anxiously beside them.
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I have part of a cipher...
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It is speaking though, a little subdued ]
Will she wake up...?
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I take it she was affected by the transition...?
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Everyone present, accounted for, with most of your pieces intact? If anyone needs carrying, healing, or a nice bracing rally for the spirit, speak up.
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Everyone's okay?
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Anybody want some gum?
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[Planning]
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[Back - Compartment #1]
It's dark, illuminated only by shifting, unearthly shapes occasionally passing by the windows. Faces, sometimes, white and eyeless; swooping tremors of color, like northern lights, that burst and disappear.
There are little over a half-dozen unconscious humans here: an elderly man whose book has fallen on the floor, a young child slumped over against her mother, and so on. Just normal passengers that look like they're in a deep, troubled sleep.
You hear a deep and unpleasant hum. There's a faint silvery glow coming from the baggage area at the back of this compartment.
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glancing around, a little worry on her face for once— though that dissipates once she confirms the passengers are still alive.
heading directly back to that baggage, if she can.]
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THE GLOW
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[THE OBJECT]
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[Forward - Compartment #5]
It's dark, illuminated only by shifting, unearthly shapes occasionally passing by the windows. Faces, sometimes, white and eyeless; swooping tremors of color, like northern lights, that burst and disappear.
As soon as you step inside, it becomes apparent why it may have been so easy to enter: there is blood splattered over the walls and ceiling, and at least one blue marble is sitting on the ground, nestled in a pile of scorched ashes. Someone . . . got partway through releasing the puzzles, but didn't quite make it.
There's nobody else in the compartment. The eye sigil is still activated on the far door, but that marble is there, glowing faintly.
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[does this mean the scales and handprints puzzle is still active here?]
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[Compartment #6]
1. It's First Class. The seats are bigger and nicer! They got complementary newspapers.
2. Those newspapers are now totally trashed and shredded, and there is blood on, like, everything.
3. There are three or four unconscious humans here. Probably the blood on them isn't theirs? Probably.
4. The walls and ceilings here are lit up and crackling with barrier energy keeping it contained; the doorway you enter through is the only break in the magic.
5. The door at the far end has more than just an eye sigil (which it does have, glowing gold). It has a picture of a clock, hands set to midnight; a single gold handprint; as well as some writing scrawled in scratchy, bloody handwriting.
There is also a . . . person? A living person is here. They are hanging upside down from the ceiling, dark hair dangling and swaying. They're suspended by a heavy chain, lashed and bound down to a chair. The chair is upside down, and they are spinning around, kicking their feet and occasionally getting shocked by a jolt of electric magic that passes through them.
There is a gag in their mouth and they let out a loud howl as the next shock buzzes down the chain, blood dripping from their arms into a pool below them.
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[A New Friend]
[She stands up quickly, dripping blood, still. She's got extremely long black hair, and is wearing what appears to be the train company uniform, a sharp black suit. And she smiles!]
Wow. Thank goodness you all were here!
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[Suddenly]
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(frozen comment) [Regrouping Again]
Everyone has been scooped up or herded into Compartment #6. At which point . . .
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And then maybe we can just go kill someone together!
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—and congratulations, yes, it does open the door.